SME 12 Named TAS’ Turntable of the Year

Replacing SME’s previous entry-level Model 10A, which also came with the 309, the Model 12A represents a substantial leap in performance over what was already an impressive ensemble. It evinces the typical SME house “sound”: all but peerless neutrality, deep background blackness, and dynamic range second to none. Not only is the 12/309’s sonic performance astonishingly close to the company’s flagship models, it also receives the same standard-setting quality of build, parts, fit, and finish that banish any worries about longevity and reliability.A powerful new motor puts paid to issues of speed accuracy, stability, constancy, and timing, while its proprietary mat/clamping arrangement rivals vacuum hold-down. Like the Model 10A, the 12A lacks the O-ring suspension-cum-damping of SME’s higher-priced turntables, yet TAS reviewer Paul Seydor found its isolation from external disturbances superb by any standard.Many arm/table combinations costing multiples of its price come nowhere near this level of execution and performance, while in use the 12A is sheer pleasure. If, as the great Edgar Villchur once said, the job of the turntable is “to stay out of the picture,” then SMEs are among the most discreet, unobtrusive, self-effacing, yet dependable stage managers in the theatre of vinyl. With an SME behind-the-scenes, the show always goes on.Paul Seydor, The Absolute Sound, Winner Turntable of the Year, January 2021

Call or email to set up a no-obligation listening session with the SME 12 at Old Forge Audio.

Should you fall in love with what you hear, you’ll be happy to know that Bluebird Music, US distributor for SME, counts the Model 12 among the models in its “Yes, it’s in Stock” program, assuring quick delivery.

Published by David Cope

After 15 years doing audio shows and marketing for Audio Note, UK, I took a year off, intending to establish a recording studio dedicated to making natural, minimally processed recordings of acoustic instruments playing jazz, folk, blues, bluegrass and classical music. Somewhere along the way I borrowed a pair of Auditorium 755 speakers and a Shindo pre-amp and power amp from Jonathan Halpern of Tone Imports. Quick as you can say, "Bob's your uncle!", I had become an audio retailer, using Old Forge Studio as a dual purpose space. It's all very exciting and more than a bit crazy . . .

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